AI Image9:16#Character consistency
Lock only the face · A new look in 8 shots
Use the uploaded photo of the person as reference: lock only the face. Keep the features, face shape and skin tone exactly the same; don’t change the face, no influencer-style face, no excessive skin smoothing. Recreate the hair, makeup, outfit, props, scene and light entirely from the description below; don’t carry over the styling or background from the uploaded photo. Generate 8 separate single images in one go, vertical 9:16, no collage, no 3×3 grid, no split screen, no text, no watermark.
Shared setup: an East Asian woman in her early 20s, cool and quiet, a faint gaze with a touch of distance, a relaxed expression, not posed.
Makeup: a dewy base that keeps real skin texture; a wash of pale rose-pink blush from the cheeks across the nose bridge, a slight flush around the eyes and on the lower lids; warm rose-brown eyeshadow softly blended, clearly separated lashes, light gray-brown colored contacts; matte coral-rose lips, slightly diffused at the edges.
Hair: deep blackish-brown hair loosely gathered into a fluffy low bun at the nape; long, airy center-parted bangs falling on either side of the cheekbones, lots of fine loose wisps at the temples and in front of the ears, a few strands blown by the wind across her eyes, nose bridge and lips.
Outfit: a long black wool coat with a lapel collar, the fabric slightly fuzzy; a long royal-blue mohair scarf loosely wrapped once around her neck, its long fibers fluffy, one end hanging down her chest, the other tossed behind her shoulder.
Accessories: no earrings, no necklace, short nude-pink nails.
Props: two or three long, slender cream-white pampas grass plumes with pale straw-colored stems.
Scene: a stand of pampas grass on a sunny late-autumn day, fluffy white plumes taller than she is, layer upon layer in front and behind; in the distance, deep ink-green trees and a small patch of blue sky, all blurred.
Light: low-angle afternoon sun, side backlight coming down at an angle from behind and above her, tracing glowing bright edges along her hair, the scarf’s fibers and the edges of the pampas plumes; her face softly lit by light bouncing off the white pampas, no hard shadows; highlights slightly overexposed, with a soft glow.
Texture: a full-frame camera with an 85mm f/1.8 portrait lens, shallow depth of field, focus on the eyes; large areas of foreground pampas blurred into a white haze of light, creamy bokeh in the background; high-key and bright, clear and clean, whites leaning cool with a touch of warmth, the royal-blue scarf the only highly saturated color in the frame, the black coat anchoring the tones, medium-high contrast. All 8 images keep the same person, same day, same scene, same outfit and same light.
Image 1: close-up bust shot, facing the camera, her head tilted slightly toward her hand, chin slightly tucked, eyes looking straight into the lens, lips naturally closed. Her right hand is raised, palm resting lightly on her right cheek, fingers reaching up near her temple; her left hand holds the few pampas stems low in front of her chest, the plumes standing at an angle on the left side of the frame, right next to her face and hand. A few loose strands blown across her eyes and lips. A big blurred mass of pampas in the lower-left foreground. She sits slightly right of center, eye-level camera, 85mm, f/1.8, the bottom edge of the frame cutting at her chest, one end of the scarf hanging on the right side of the frame.
Image 2: medium half-body shot, her body turned toward the right of the frame, almost a full profile, head tilted back slightly, gaze toward the sky and the light at the upper right, lips slightly parted, a blank, faraway look, her upturned profile lit as it faces the light. The low bun and her ear fully visible, loose strands traced with warm bright edges by the backlight. She is left of center, with space left in front of her face; in the lower-left corner, a cluster of pampas very close to the lens blurs into a white haze of light; dark green tree shadows across the top of the background, glowing pampas on both sides. Camera at eye level, slightly low, 85mm, f/2.
Image 3: full-length, in motion. She walks along a narrow path through the middle of the pampas, turning mid-stride to look back at the camera, one hand casually brushing aside the plumes beside her, the other hanging naturally; the scarf’s tail and loose strands lifted by the wind, the coat’s hem swinging with her steps. She takes up about 60% of the frame’s height, a stretch of path visible under her feet, pampas on both sides and above, eye-level camera, 50mm, f/2.8.
Image 4: full-length, still, wide shot. She stands on the path in the pampas, turned sideways, looking far off toward the left of the frame, both hands in her coat pockets, shoulders relaxed, the scarf’s tail hanging to her waist. She sits on the right third line, taking up about a third of the frame’s height, behind her a broad sweep of backlit, glowing pampas and dark green tree shadows, eye-level camera, 35mm, f/4, keeping the depth of the setting.
Image 5: three-quarter-length shot, she stands side-on to the camera, holding a big bundle of pampas against her chest with both hands, face lowered slightly, the tip of her nose close to the plumes, eyes half-lowered on them, the corners of her mouth relaxed. The royal-blue scarf and the cream pampas pressed together, their fuzzy edges all glowing in the backlight. She is right of center, eye-level camera, 85mm, f/2.
Image 6: low, seated. She sits hugging her knees on dry grass at the edge of the pampas, chin buried in the royal-blue scarf so only her eyes and nose bridge show, looking up at the camera; pampas closing in all around, a blurred piece of plume in the foreground. The camera dropped to her eye level, her figure in the lower middle of the frame, 85mm, f/1.8.
Image 7: close-up of hand and prop. One hand pinches a single pampas plume, its tip lightly touching the royal-blue mohair scarf, the cuff of the black coat in frame; short nude-pink nails, fingers relaxed and naturally curled, real skin texture. The backlight makes the edges of the plume and the scarf’s long fibers glow translucent, the background blurred white spots of light. 100mm macro lens, f/2.8, focus on the fingertips and the tip of the plume.
Image 8: a moody shot from behind. She stands in the pampas with her back to the camera, facing into the backlit sun, head turned slightly to the right to show a hint of her profile; the low bun and loose strands rimmed in gold by the sunlight, one end of the scarf lifted by the wind. A blurred clump of pampas on each side of the foreground frames the shot, her figure centered and slightly low, camera slightly low, 85mm, f/2, a soft glow in the highlights.
